OLD MASTER Edward King Redmore (1860 – 1941) OIL PAINTING GGF

PAINTING REF 110416
 
OLD MASTER MEDIUM SIZE OIL PAINTING 
 
NEW COLLECTION Of RARE PIECES OF ENGLISH HISTORY
“Very Good condition canvas ..Piece has been professional cleaned ,
Relined and Revarnished  , Frame is in Good condition for age (see pictures) 
all this work would cost around £800
 
Description
 
( 19th century ) 
Here we have a unique and rare piece of English history ,
the painting was created around the first part of the 19th century on canvas ,
painted in the hand of a R .A grandmaster .
 
We have had the piece under the microscope and 
we date this around the Late 1890
 
Title: 
Edward King Redmore (1860 – 1941): A Victorian Painter of Everyday Life
Edward King Redmore was a British artist born in Stourbridge, Worcestershire,
in 1860. He pursued his artistic passions with unwavering dedication, establishing himself as a respected genre painter who captured the nuances of Victorian domestic life and rural landscapes. Though not widely celebrated during his lifetime, Redmore’s work has gained recognition for its honest portrayal of ordinary p
 
Artist: Edward King Redmore (1860 – 1941)
 
signed: yes
 
Provenance: john Castagno art 
signature directory
 
Medium : Oil painting canvas
 
Condition: good
 
Country: British
 
Frame size : 23 in x 17 in 
( 58 cm x 43 cm)
 
Canvas size : 18 in x 12 in
 
Edward King Redmore (1860 – 1941): A Victorian Painter of Everyday Life
Edward King Redmore was a British artist born in Stourbridge, Worcestershire, in 1860. He pursued his artistic passions with unwavering dedication, establishing himself as a respected genre painter who captured the nuances of Victorian domestic life and rural landscapes. Though not widely celebrated during his lifetime, Redmore’s work has gained recognition for its honest portrayal of ordinary people and places—a testament to the enduring power of realism within the broader context of Victorian art.
Early Life and Artistic Training
Little is known about Redmore's formal education beyond confirmation that he studied at Birmingham School of Art. However, his artistic sensibilities were undoubtedly nurtured by the prevailing aesthetic currents of the era, particularly Burne-Jones’ influence on decorative arts and storytelling. This exposure to symbolism and narrative would profoundly shape his artistic vision—a commitment to conveying emotion and capturing the spirit of his subjects with meticulous detail.